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This version of the first half of Bach's D minor Sarabande from his Cello Suites is improvised using Bach's content, but my own timbral, formal, and microtonal language.
Please dive into the additive hell.
credits
released November 12, 2021
Composition: J.S. Bach
Performance, Arrangement, & Production: Eden Rayz
If the sacred feminine had a voice it would be hers. This is vengeance at its most pure. She is terrifying, likely a kindred spirit. This is music that grabs you by the throat. Tread accordingly. Eden Rayz
Like clockwork, every spring I binge Mike Patton projects. Here's a collaboration where each song serves as an environment we're given the brief chance to live in. Insoluables smells like salty ginger Eden Rayz
Dude. Jo Quail. This work is very patient, cavernous, meditative. A single motif is blown the hell out across 5 movements to occupy vast sound worlds rife with surprises. An investigation in heaviness Eden Rayz
supported by 5 fans who also own “Bach Cello Suite No. II in D minor IV Sarabande: Destabilized”
confessions of the damned is a brutal ass album you listen from front to back. keep kicking ass, and if you guys never can make it to Iowa for a concert, well I'm gonna have to travel my ass somewhere to see your live shit! Andy Reinard
Forcefed Horsehead describe themselves as “grindpunk,” and their visceral mesh of extreme metal subgenres heads direct for the pit. Bandcamp New & Notable Mar 28, 2023